Photos: Wagner - Overtures & Preludes - Karajan - BPO, 1974, EMI

If I am asked to recommend a single set of recordings that demonstrate Karajan's genius to the full, I would choose Wagner's overtures and preludes which he recorded in October 1974 with the Berliner Philharmoniker. Never before, much less since, has Wagner been played like that. These recordings have been released countless times in all sorts of variations, including the sound, the covers and the selection. The modest purpose of this brief illustrated post is to clarify the somewhat confusing situation with CD releases by EMI. Some curiosities are mentioned at the end, but I have not aimed at completeness. 

NB. Some of the following photos have been found on the Web. If you recognise some of your own, and if this offends your personal vanity or legal copyright, let me know and I will remove them.

EMI CDM-7 69019 2 (1987)

Newly remastered. The collection was apparently first published, but not remastered, in 1985. Note than the Lohengrin and the Parsifal preludes are missing. 

EMI CDM 7 64334 2 (1992)

Strange edition. The prelude to Act 1 of Lohengrin is added, but not the one to Act 3. This is the only newly remastered piece; the rest is identical to the previous edition.

Karajan Edition (1996)

EMI 66106, 66107 & 66108

This is the most complete selection, all eight works are present (including the Parsifal preludes usually omitted, see below), but it is spread on three different discs and coupled with works by Richard Strauss (recorded at about the same time and equally stupendous). All recordings newly remastered for this edition. The liner notes are old and perfunctory, though.

Great Recordings of the Century (2004)

EMI 62756

Complete selection except for the Parsifal preludes. Remastered and apparently first published in 2001, though the edition has not been traced. Fine liner notes by Richard Osborne about Karajan's way with Wagner.

The KARAJAN Collection (2005)

EMI 76896

The same works, the same 2001 remaster, and the same liner notes by Richard Osborne as in the previous edition. Only the cover, the order of the tracks and the photos in the booklet are different.

Mavericks

DVD Audio, 2001.

SACD, Japanese edition.

French LP, part 1.

French LP, part 2.

Karajan and Tchaikovsky’s Late Symphonies: A Brief Comparison

Tchaikovsky’s Fourth, Fifth and Sixth symphonies, so different from one another yet so unmistakably Tchaikovskian, were cornerstones of Karajan’s career every bit as important as the symphonies of Beethoven or Brahms. They entered his symphonic repertoire before WWII and stayed there for some half a century or so. He recorded them commercially at least four times. Three of these sets, in fine recent remasters, are conveniently available as twofers.

1964-66, BPO, DG; 2003, OIBP, Karajan The Collection

These are fine performances, now available in better-than-ever-before sound. All the same, they are of mostly historical interest. Both of the next two sets have, in their different ways, vastly superior sound. This one tends to be a little muddy (woodwinds, timpani) or harsh (brass, cymbals), pitfalls of Jesus-Christus-Kirche as a recording venue which Günter Hermanns, Karajan’s Tonmeister for DG, didn’t always avoid. (Neither did Wolfgang Gülich on EMI, for that matter.) And the sound does matter – unless you still believe the old hokum about Tchaikovsky’s amateurish orchestration. Karajan’s interpretations didn’t change much over the years, but they did become more refined and better nuanced. It was all “smoothing the edges” more – according to the Karajan detractors who claim that he never made another fine recording after those DECCA sessions with the VPO in 1959-60. But that’s another story.

The Sixth is notable for the relatively slow, Karajan-wise, climax in the first movement. Also, it is the best recorded of the bunch, although it was actually recorded first (1964). The Fifth is given a very dramatic reading. I don’t know how Richard Osborne decided it is “the most gracious and urbane” of all recordings of this symphony made by Karajan. Then again, Mr Osborne is no stranger to writing nonsense in his liner notes. Again according to him, the Fifth is “less troubled (and less original)” than the other two. Ha! You bet!

On the whole, this twofer is a very good place to start. All the same, for the real thing we have to enter the 1970s.

1971, BPO, EMI; 2007, remastered

If you are used to the DG sound, this one will come as a shock. Don’t worry. Stay calm. Keep listening. Things will normalise again. Trust me, I know. I’ve been through it.

I don’t know about early editions, but the 2007 remaster boasts incredible sound: spacious, deep, natural. The strings are unbelievable! So many details for which you have to listen carefully on DG here leap to your attention. Unlike some other EMI recordings from the 1970s, the woodwinds are not distant, nor the timpani overblown. My only quibble is that the brass is not clear enough in the grand climaxes. But you can’t win them all.

Sound apart, these are leaner, more athletic performances than the ones on DG. There is a sense of abandon that’s almost apocalyptic. I use the word in its literal sense. The Berliners play as if the End of the World is coming and there is no tomorrow. All three symphonies are superbly performed, but the Sixth is special. It may be the best Karajan ever did. I do not agree, and never will, with his rather fast take of the climax in the first movement, but here, for once, it sounds almost right. The prominent strings work miracles. The Scherzo sounds totally different, the Waltz is spookier than ever, and the finale will displace your furniture. I guarantee. Just listen to the low strings after the first climax. All in all, stupendous performance in stupendous sound!

1975-76, BPO, DG; 1997, OIBP

This is, on the whole, my favourite set. The sound was already superb on the old box-set edition (4 CDs, 6 symphonies, 1975-79) and, fortunately, the remastering didn’t change that. Compared to EMI, the strings here remind one of a chamber orchestra; but the tone is rich and deep. The sound is brighter – some would say brittle – and that is not to everybody’s taste, but I have no problems with it. The dynamic range in general and the brass in particular are totally superior to EMI: the climaxes are magnificent yet clear. Just listen to the three cataclysmic chords in the end of the Fourth’s first movement, while the main theme wails high in the violins, and the following sound hurricane. Swept you out together with the armchair you were sitting in, didn’t it? The Fourth, indeed, is a standout. Karajan surpassed himself. None of his other five studio attempts comes close. The Fifth is rather different than the EMI version, but it stands well to comparison. The Sixth on EMI is unsurpassed, but this one is no slouch either.

1984, VPO, DG; 1994, OIBP, Karajan Gold, not available as set

This is the most disappointing “set”. Only the Fourth (Karajan’s forte) reminds, from time to time, of his finest Tchaikovsky. The climaxes in the Fifth and the Sixth are strangely tepid. They give the impression of routine drudgery made for the sake of the digital catalogue. This is worthy neither of Karajan nor of the VPO. The sound is, of course, crystal clear and very detailed, but awfully flat and with somewhat limited dynamic range. The balance is rather off: trumpets far too prominent, horns and trombones quite the opposite. The strings are dreadfully thin and weak! Surely the string section of the VPO can do better than that!

The best about these performances is that they were captured on video and released on DVD. They are much better seen than listened to; the camera is often revealing about some less obvious details of the orchestration. And they make for an interesting comparison with the younger and considerably more vigorous Karajan from the “bonus track”. If you are a Tchaikovsky or a Karajan aficionado, you probably won’t regret the purchase. Then again, you just might. The bad news is that the sound on the SONY DVDs, especially the 2007 editions “re-recorded at the original venues” (what for!?), is even more dreadful than the one on the DG CDs. The dynamic range is flattened to death! And the balance is by no means improved. Judging by the Fourth symphony alone, the problem with the balance was already there in the early SONY DVD (2000), but the limited dynamic range is largely a result of the re-recording procedure. Get the VHS from the 1980s if you can. They are probably superior to both DVD releases.

Bonus track: 1973, BPO, Unitel/DG, Live, DVDX2

Coming from the years between the EMI and the DG sets, these live performances are rather disappointing, at least by Karajan’s somewhat exalted standards. Neither the sound nor the performance lives up to the studio recordings. To be sure, they are hugely preferable to the videos with the VPO. But that doesn’t say much, does it?

(To be exact, there is one "set" more, with Philharmonia for EMI (1953-56), as well as isolated recordings of separate symphonies (Fourth for EMI with BPO from 1960, Sixth with BPO for DG from 1939 and with VPO for EMI from 1949), but these are of interest only to fanatical Karajan collectors who want to trace his development.)

Bottom line

Karajan’s Tchaikovsky may not be idiomatic enough for the connoisseurs, but for me great music transcends national borders (at least the ones between Russia and the West). I love Mravinsky’s grand vision, Rozhdestvensky’s devastating passion, Gergiev’s scary intensity (especially in the Pathetique) and even Svetlanov’s rushed brilliance, yet if I have to choose but one set, I have no doubt which one it will be. As a total experience, for me, Karajan from the 1970s tops them all with a vengeance. Whether one prefers the EMI or the DG sound is a matter of taste. I, for one, would love to combine the EMI strings with the rest from DG. But, like I said, you can’t win them all. Therefore, I wouldn’t want to be without either set. The other two sets are of limited historical (1960s) or visual (1980s) interest.

Herbert von Karajan: A Compressed Discography

Herbert von Karajan:

A Compressed Discography

NB. The aim of this discography is to demonstrate, in the shortest possible space, Herbert von Karajan’s tireless industry and the impressive scope of his recorded legacy. The list includes all recordings that have ever been officially released, including (most) pirate live recordings, sorted in alphabetical order by the composer’s last name. Unpublished recordings and radio broadcasts are omitted. So, for the sake of clarity, are different editions, remasters and other such stuff.

For every recording, date, orchestra, label, type (studio or live) and soloists (if applicable) are given; in a few exceptional cases, the place may also be supplied. When a recording has been released by several labels, as in many piratical cases, only one selected edition is given. When a recording stretched over many months or even years, only the dates of beginning and completion are given.

Each entry consists of all recordings of a single work. The exceptions are Beethoven’s incidental music to Egmont and the albums with Christmas songs, National Anthems and Prussian marches: they are listed as single works because they mostly contain obscure stuff of limited interest. A few other recordings of distinct works, for example dances by Mozart, Brahms and Dvorak, concertos by Vivaldi or Handel’s Concerti grossi, are grouped because they were recorded together and only once. The 1969 recording of the Egmont Overture is the only deliberate duplication: it is listed both separately and as a part of the incidental music.

For easier navigation, staples of the repertoire (≥3 official recordings; ≥2 for operas) and the first time a composer’s name appears are marked in bold. Unless otherwise noted, all recordings are audio and have appeared on CD and/or DVD, though they may no longer be in print or even available second-hand. Those who want to know more are referred to John Hunt’s Philharmonic Autocrat 1 (2000) as well as to the disco- and videography in Paul Robinson’s Herbert von Karajan: The Maestro as Superstar (2007).

Abbreviations: S = Studio; L = Live; V = Video; V+A = Video and Audio; WP = Wiener Philharmoniker; BP = Berliner Philharmoniker; PO = Philharmonia Orchestra; LS = Orchestra and Chorus of La Scala; BFO = Bayreuth Festival Orchestra; LFO = Lucerne Festival Orchestra; WS = Wiener Singverein; WSC = Chorus of Wiener Staatsoper; DOC = Chorus of Deutsche Oper, Berlin; WSy = Wiener Symphoniker; BS = Berlin Staatskapelle; DS = Dresden Staatskapelle; OP = Orchestre de Paris; CA = Concertgebouw Amsterdam; LP = Released on LP only.

Statistics: 530 entries, 496 distinct works by 93 composers (keeping in mind the abovementioned exceptions), including 97 symphonies, 40 operas, 14 choral works, 50 concertos with soloists and 295 miscellaneous works.

1.  Adam – Giselle (abridged) – 9/61, WP, DECCA (S).

2.  Albinoni – Adagio in G minor (arr.: Giazotto) – 8/69, BP, DG (S); 9/83, BP, DG (S).

3.  Bach – Air (Orchestral Suite No. 3) – 9/83, BP, DG (S).

4.  Bach – Brandenburg Concerto No. 1 – 8/64, BP, DG (S); 3/67, BP, Arkadia (L); 8/68, BP, Natise (L); 5/69, BP, Melodya (L, Moscow); 1/79, BP, DG (S).

5.  Bach – Brandenburg Concerto No. 2 – 8/64, BP, DG (S); 8/68, BP, Nuova Era (L); 1/79, BP, DG (S).

6.  Bach – Brandenburg Concerto No. 3 – 8/64, BP, DG (S); 3/67, BP, Arkadia (L); 5/67, BP, Nuova Era (L); 8/68, BP, Natise (L); 1/79, BP, DG (S).

7.  Bach – Brandenburg Concerto No. 4 – 8/64, BP, DG (S); 8/68, BP, Nuova Era (L); 9/70(76?), BP, Foyer (L); 1/79, BP, DG (S).

8.  Bach – Brandenburg Concerto No. 5 – 8/64, BP, DG (S); 8/68, BP, Natise (L); 1/79, BP, DG (S).

9.  Bach – Brandenburg Concerto No. 6 – 2/65, BP, DG (S); 8/68, BP, Nuova Era (L); 1/79, BP, DG (S).

10.  Bach – Magnificat, BWV 243 – 2/79, Tomowa-Sintow, Baltsa, Schreier, Luxon, DOC, BP, DG (S); 12/84, Blegen, Muller-Molinari, Araiza, Holl, RIAS choir, BP, Telemondial (L, V).

11.  Bach – Mass in B minor – 6/50, Schwarzkopf, Ferrier, Ludwig, Poll, Schöffler, WS, WP, Arkadia (L); 11/52-7/53, Schwarzkopf, Höffgen, Gedda, Rehfuss, WS, PO, EMI (S); Price, Ludwig, Gedda, Souza, Berry, WS, WP (L, LP: MM); 9/73-1/74, Janowitz, Ludwig, Schreier, Kerns, Ridderbusch, WS, BP, DG (S).

12.  Bach – Mass in B minor: Christe eleison; Laudamus te; Et in unum Dominum – 6/50, Schwarzkopf, Ferrier, WSy, EMI (S).

13.  Bach - Matthäus-Passion – 6/50, Seefried, Ferrier, Schöffler, Ludwig, Edelmann, WS, WP, Andante (L); 1/72, Janowitz, Ludwig, Schreier, Fischer-Dieskau, Berry, Laubenthal, Diakov, WS, BP, DG (S).

14.  Bach – Orchestral Suite No. 2 – 8/64, BP, DG (S).

15.  Bach – Orchestral Suite No. 3 – 8/64, BP, DG (S).

16.  Bach – Violin Concerto, BWV 1041 – 8/66, Ferras, BP, DG (S); 3/67, BP, Arkadia (L).

17.  Bach – Violin Concerto, BWV 1042 – 8/66, Ferras, BP, DG (S); 12/84, Mutter, BP, Telemondial (L, V).

18.  Bach – Violin Concerto, BWV 1043 – 8/66, Ferras, Schwalbe, BP, DG (S).

19.  Balakirev – Symphony No. 1 – 11/49, PO, EMI (S).

20.  Bartok – Concerto for Orchestra – 7/53, PO, EMI (S); 11/65, BP, DG (S); 5/74, BP, EMI (S).

21.  Bartok – Music for Strings, Percussion and Celesta – 11/49, PO, EMI (S); 11/60, BP, EMI (S); 8/69, BP, SG (S).

22.  Bartok – Piano Concerto No. 3 – 2/1954, Anda, RAI Torino, Tahra (L); 8/72, Anda, DS, DG (L).

23.  Beethoven – Ah perfido (concert aria) – 9/54, Schwarzkopf, PO, EMI (S).

24.  Beethoven – Congratulation Menuet, WoO 3 – 69, BP, DG (S).

25.  Beethoven – Coriolan – 7/53, PO, EMI (S); 9/65, BP, DG (S); 5/69, BP, Melodya (L, Moscow); 1/75, BP, Unitel (L, V); 12/85, BP, DG (S).

26.  Beethoven – Die Geshöpfe des Prometheus – 1/69, BP, DG (S).

27.  Beethoven – Die Ruinen von Athens – 1/69, BP, DG (S).

28.  Beethoven – Die Weihe des Hauses – 1/69, BP, DG (S).

29.  Beethoven – Egmont – 7/53, PO, EMI (S); 1/69, BP, DG (S); 1/75, BP, Unitel (L, V); 12/85, BP, DG/Telemondial (S, V+A).

30.  Beethoven – Egmont (incidental music) – 1/69, BP, DG, Janowitz (S).

31.  Beethoven – Fidelio – 7/57, Goltz, Jurinac, Zampieri, Kmentt, Majkut, WSC, WP, Arkadia (L); 12/60, Nilsson, Lipp, Vickers, Unger, Gullino, Hotter, LS, HRE (L); 5/62, Janowitz, Ludwig, Vickers, Berry, WSC, WP, DG (L); 12/63, Ludwig, Uhl, Prey, Berry, Stolze, Bavarian Opera, Arkadia (L); 10/70, Dernesch, Donath, Vickers, van Dam, Kelemen, Ridderbusch, DOC, BP, EMI (S).

32.  Beethoven – Fidelio: Overture – 9/65, BP, DG (S); 12/85, BP, DG (S, V+A).

33.  Beethoven – Fidelio: “Abscheulicher…” – 9/54, Schwarzkopf, PO, EMI (S).

34.  Beethoven – Grosse Fuge (arr.: Weingartner) – 8/69, BP, DG (S).

35.  Beethoven – König Stephan – 1/69, BP, DG (S).

36.  Beethoven – Leonore No. 1 – 1/69, BP, DG (S).

37.  Beethoven – Leonore No. 2 – 1/69, BP, DG (S).

38.  Beethoven – Leonore No. 3 – 9/43, CA, DG (S); 7/53, PO, EMI (S); 9/65, BP, DG (S); 12/85, BP, DG/Telemondial (S, V+A).

39.  Beethoven – Missa Solemnis – 9/58, Schwarzkopf, Ludwig, Gedda, Zaccaria, PO, WS, EMI/Testament (S); 8/59, Price, Gedda, Ludwig, Zaccaria, WS, WP, EMI (L); 2/66, Janowitz, Ludwig, Wunderlich, Berry, BP, WS, DG (S); 2/66, Janowitz, Ludwig, Wunderlich, Berry, BP, WS, Arkadia (L); 9/74, Janowitz, Baltsa, Schreier, Van Dam, BP, WS, EMI (S); 4/79, Tomowa-Sintow, Baltsa, Tappy, Van Dam, BP, WS, Unitel (L, V); 9/85, Cuberli, Schmidt, Cole, Van Dam, BP, WS, DG/Telemondial (S, V+A).

40.  Beethoven – Namensfeier – 1/69, BP, DG (S).

41.  Beethoven – Piano Concerto No. 1 – 12/66, Eschenbach, BP, DG (S); 9/77, Weissenberg, BP, EMI (S).

42.  Beethoven – Piano Concerto No. 2 – 9/77, Weissenberg, BP, EMI (S).

43.  Beethoven – Piano Concerto No. 3 – 5/57, Gould, BP, Sony (L); 9/77, Weissenberg, BP, EMI (S); 12/80, Pollini, BP, Exclusive (L).

44.  Beethoven – Piano Concerto No. 4 – 6/51, Gieseking, PO, EMI (S); 9/74, Weissenberg, BP, EMI (S).

45.  Beethoven – Piano Concerto No. 5 – 6/51, Gieseking, PO, EMI (S); 5/74, Weissenberg, BP, EMI (S).

46.  Beethoven – Ritterballet, WoO 1 – 69, BP, DG (S).

47.  Beethoven – Symphony No. 1 – 11/53, PO, EMI (S); 12/61, BP, DG (S); 8/66, WP, Andante (L); 12/71, BP, Unitel (S, V); 3/77, BP, DG (S); 1/84, BP, DG/Telemondial (S, V+A).

48.  Beethoven – Symphony No. 2 – 11/53, PO, EMI (S); 2/62, BP, DG (S); 11/71, BP, Unitel (S, V); 3/77, BP, DG (S); 2/84, BP, DG/Telemondial (S, V+A).

49.  Beethoven – Symphony No. 3 – 5/44, BS, Koch (S); 11/52, PO, EMI (S); 9/53, BP, Artemis (L); 11/62, BP, DG (S); 9/69, BP, Arkadia (L); 6/70, BP, Foyer (L); 10/71, BP, Unitel (S, V); 3/77, BP, DG (S); 4/82, BP, Sony (L, V); 1/84, BP, DG/Telemondial (S, V+A).

50.  Beethoven – Symphony No. 4 – 11/53, PO, EMI (S); 11/62, BP, DG (S); 5/67, BP, Nuova Era (L); 12/71, BP, Unitel (S, V); 9/76, BP, DG (S); 12/83, BP, DG/Telemondial (S, V+A); 4/85, BP, Testament (L, London).

51.  Beethoven – Symphony No. 5 – 11/48, WP, EMI (S); 11/54, PO, EMI (S); 11/57, BP, Dynamic (L, V, Tokyo); 3/62, BP, DG (S); 2/66, BP, Unitel (S, V, incl. rehearsal); 5/69, BP, Melodya (L, Moscow); 2/72, BP, Unitel (S, V); 10/76, BP, DG (S); 11/82, BP, DG (S, V+A).

52.  Beethoven – Symphony No. 6 – 7/53, PO, EMI (S); 2/62, BP, DG (S); 10/67, BP, Unitel (S, V); 5/69, BP, Melodya (L, Moscow); 5/72, BP, Testament (L, London); 10/76, BP, DG (S); 11/82, BP, DG/Telemondial (S, V+A).

53.  Beethoven – Symphony No. 7 – 6/41, BS, DG (S); 11/51, PO, EMI (S); 2/57, WSy, Orfeo (L); 3/59, WP, DECCA (S); 3/62, BP, DG (S); 10/71, BP, Unitel (S, V); 3/77, BP, DG (S); 12/83, BP, DG/Telemondial (S, V+A).

54.  Beethoven – Symphony No. 8 – 1/46, WP, EMI (S); 5/55, PO, EMI (S); 4/61, BP, Arkadia (L); 1/62, BP, DG (S); 11/71, BP, Unitel (S, V); 3/77, BP, DG (S); 2/84, BP, DG/Telemondial (S, V+A).

55.  Beethoven – Symphony No. 9 – 11/47, Schwarzkopf, Höffgen, Patzak, Hotter, WS, WP, EMI (S); 12/1954, Stich-Randall, Roesll-Majdan, Kmentt, Frick, RAI Roma, Tahra (L); 7/55, Schwarzkopf, Höffgen, Haefliger, Edelmann, WS, PO, EMI (S); 4/57, Grümmer, Höffgen, Häfliger, Frick, St Hedwig Cathedral Choir, BP, Artemis (L); 11/62, Janowitz, Rössl-Majdan, Kmentt, Berry, WS, BP, DG (S); 1/68, Janowitz, Ludwig, Thomas, Berry, DOC, BP, Artemis (L); 2/68, Janowitz, Ludwig, Thomas, Berry, DOC, BP, Unitel (S, V); 6/70, Janowitz, Reynolds, Hollweg, Berry, WS, BP, Natisse (L); 3/77, Tomowa-Sintow, Baltsa, Schreier, Van Dam, WS, BP, DG (S); 12/77, Tomowa-Sintow, Baltsa, Kollo, Van Dam, DOC, BP, Unitel (L, V); 10/79, Tomowa-Sintow, Baldani, Schreier, Van Dam, WS, BP, DG (L, Tokyo); 9/83, Perry, Baltsa, Cole, Van Dam, WS, BP (S); 9/86, Cuberli, Müller-Molinari, Cole, Grundheber, WS, BP, Telemondial (S, V).

56.  Beethoven – Triple Concerto – 9/69, Oistrakh, Rostropovich, Richter, BP, EMI (S); 9/79, Mutter, Ma, Zeltser, BP, DG (S).

57.  Beethoven – Violin Concerto – 1/67, Ferras, BP, DG (S); 9/79, Mutter, BP, DG (S); 2/84, Mutter, DG/Telemondial (S, V).

58.  Beethoven – Wellingtons Sieg – 1/69, BP, DG (S).

59.  Berg – Three Pieces for Orchestra – 12/72, BP, DG (S).

60.  Berg – Lyric Suite – 11/73, BP, DG (S).

61.  Berlioz – La Damnation de Faust: Ballet des Sylphes/Menuet des Follets – 9/71, BP, DG (S).

62.  Berlioz – La Damnation de Faust: Rakoczy March – 1/58, PO, EMI (S); 12/78, BP, Unitel (L, V); 1/79, BP, EMI (S).

63.  Berlioz – Le Carnaval Romain – 1/58, PO, EMI (S).

64.  Berlioz – Les Troyens: Royal Hunt and Storm – 1/59, PO, EMI (S).

65.  Berlioz – Symphonie Fantastique – 7/54, PO, EMI (S); 12/64, BP, DG (S); 8/66, BP, Natisse (L); 10/70, OP, EMI (S, V); 2/75, BP, DG (S).

66.  Bizet – Carmen – 10/54, Simionato, Gedda, Güden, Roux, WS, WSy, Andante (L, radio broadcast, probably of concert performance); 1/55, Simionato, Carteri, Di Stefano, Roux, LS, Arkadia (L); 12/61, Resnik, Guden, Usunow, Protti, WSC, WP, Arkadia (L); 11/63, Price, Corelli, Freni, Merrill, WSC, WP, RCA (S); 7/67, Bumbry, Vickers, Freni, Diaz, WSC, WP, Arkadia (L); 8/67, Bumbry, Vickers, Freni, Diaz, WSC, WP, Unitel (S, V); 9/82, Baltsa, Carreras, Van Dam, Ricciarelli, Choir of Paris Opera, BP, DG (S).

67.  Bizet – Carmen Suite – 1/58, PO, EMI (S); 12/70, BP, DG (S).

68.  Bizet – Carmen Suite: Entr’acte (Act 4) – 7/54, PO, EMI (S). [Entr’actes to Acts 2 and 3 also recorded during the same sessions, but never released]

69.  Bizet – L'Arlesienne Suite No. 1 – 1/58, PO, EMI (S); 12/70, BP, DG (S); 2/84, BP, DG (S).

70.  Bizet – L'Arlesienne Suite No. 2 – 1/58, PO, EMI (S); 12/70, BP, DG (S); 12/78, BP, Unitel (L, V, no Minuet); 1/79, BP, EMI (S); 2/84, BP, DG (S).

71.  Boccherini – Quintettino – 69, BP, DG (S).

72.  Borodine – Polovitsian Dances – 11/54, PO, EMI (S); 9/60, PO, EMI (S); 1/71, BP, DG (S).

73.  Brahms – Double Concerto – 2/83, Mutter, Meneses, BP, DG (S).

74.  Brahms – Ein deutsches Requiem – 11/47, Schwarzkopf, Hotter, WS, WP, EMI (S); 8/57, Della Casa, Fischer-Dieskau, WS, WP, EMI (L); 5/64, Janowitz, Waechter, WS, BP, DG (S); 10/76, Tomowa-Sintow, Van Dam,  WS, BP, EMI (S); 3/78, Janowitz, Van Dam, WS, BP, Unitel (L, V); 5/83, Hendricks, Van Dam, WS, WP, DG (S); 6/87, Battle, Van Dam, WS, WP, Telemondial (S, V).

75.  Brahms – Haydn Variations – 5/55, PO, EMI (S); 2/64, BP, DG (S); 5/67, BP, Nuova Era (L, Florence); 10/76, BP, EMI (S); 2/83, BP, DG (S).

76.  Brahms – Hungarian Dances Nos. 1, 3, 5, 6, 17, 18, 19, 20 – 9/59, BP, DG (S).

77.  Brahms – Piano Concerto No. 2 – 12/1954, Anda, RAI Roma, Tahra (L); 10/58, Richter-Haaser, BP, EMI (S); 5/64, Backhaus, BP, Cetra (L); 9/67, Anda, BP, DG (S); 9/68, Anda, BP, Arkadia (L).

78.  Brahms – Symphony No. 1 – 9/43, CA, DG (S); 7/52, PO, EMI (S); 2/55, BP, Classical Collection (L, Washington); 3/59, WP, DECCA (S); 10/63, BP, DG (S); 3/70, BP, Arkadia (L); 3/73, BP, Unitel (L, V); 2/78, BP, DG (S); 6/86, BP, Telemondial (S, V); 1/87, BP, DG (S); the last two recordings may stem from the same master tapes; 10/88, BP, Testament (L, London).

79.  Brahms – Symphony No. 2 – 10/49, WP, EMI (S); 3/1953,  RAI Roma, Tahra (L); 5/55, PO, EMI (S); 10/63, BP, DG (S); 9/68, BP, Arkadia (L); 3/73, BP, Unitel (L, V); 10/77, BP, DG (S); 6/86, BP, Telemondial (S, V); 1/87, BP, DG (S); the last two recordings may stem from the same master tapes.

80.  Brahms – Symphony No. 3 – 9/60, WP, DECCA (S); 9/64, BP, DG (S); 9/68, BP, Arkadia (L); 3/73, BP, Unitel (L, V); 10/77, BP, DG (S); 10/88, BP, DG (S).

81.  Brahms – Symphony No. 4 – 5/55, PO, EMI (S); 10/63, BP, DG (S); 9/68, BP, Arkadia (L); 3/73, BP, Unitel (L, V); 10/77, BP, DG (S); 8/83, BP, Live Classics Best – Japan (L); 10/88, BP, DG (S).

82.  Brahms – Tragic Overture – 9/61, WP, DECCA (S); 10/70, BP, EMI (S); 2/78, BP, DG (S); 3/83, BP, DG (S); 6/86, BP, Telemondial (S, V).

83.  Brahms – Violin Concerto – 5/64, Ferras, BP, DG (S); 3/76, Kremer, BP, EMI (S); 9/81, Mutter, BP, DG (S).

84.  Britten – Variations on a Theme by Frank Bridge – 11/53, PO, EMI (S).

85.  Bruch – Violin Concerto – 9/80, Mutter, BP, DG (S).

86.  Bruckner – Symphony No. 1 – 1/81, BP, DG (S).

87.  Bruckner – Symphony No. 2 – 1/81, BP, DG (S).

88.  Bruckner – Symphony No. 3 – 9/80, BP, DG (S).

89.  Bruckner – Symphony No. 4 – 10/70, BP, EMI (S); 4/75, BP, DG (S); 6/79, BP, Live Classics, Japan (L).

90.  Bruckner – Symphony No. 5 – 10/54, WSy, Orfeo (L); 8/69, WP, Arkadia (L); 12/76, BP, DG (S).

91.  Bruckner – Symphony No. 6 – 9/79, BP, DG (S).

92.  Bruckner – Symphony No. 7 – 8/66, WP, Private CD – Italy (L); 9/69, BP, Arkadia (L, London); 4/71, BP, EMI (S); 4/75, BP, DG (S); 4/89, WP, DG (S, last recording).

93.  Bruckner – Symphony No. 8 – 9/44, BS, Koch (S, mvts. 2-4 only, No. 4 in experimental stereo); 4/57, WP, Andante (L); 5/57, BP, EMI (S); 4/65, WP, Nuova Era (L, London); 3/67, BP, Arkadia (L); 4/75, BP, DG (S); 6/79, WP, Unitel (L, V); 11/88, WP, DG/Telemondial (S, V+A).

94.  Bruckner – Symphony No. 9 – 3/66, BP, DG (S); 1/70, BP, Arkadia (L); 9/75, BP, DG (S); 7/76, WP, DG (L); 5/78, WP, Unitel (L, V+A); 11/85, BP, Telemondial (L, V).

95.  Bruckner – Te Deum – 9/52, Streich, Herrmann, Häfliger, Braun, WS, WSy, Arkadia (L, Perugia); 8/60, Price, Rössl-Majdan, Wunderlich, Berry, WS, WP, EMI (L); 7/72, Mathis, Simon, Laubenthal, Van Dam, WSC, WP, Andante (L); 5/76,  Tomowa-Sintow, Baltsa, Schreier, Van Dam, WS, BP, DG (S); 5/78, Tomowa-Sintow, Baltsa, Rendall, Van Dam, WS, WP, Unitel (L, V); 9/84, Perry, Müller-Molinari, Winbergh, Malta, WS, WP, DG (S).

96.  Chabrier – España – 12/47, WP, EMI (S); 7/53, PO, EMI (S); 1/79, BP, EMI (S).

97.  Chabrier – Marche joyeuse – 7/55, PO, EMI (S); 9/60, PO, EMI (S).

98.  Cherubini – Anacreon: Overture – 4/39, BS, DG (S); 1/81, BP, EMI (S).

99.  Christmas Album (Gruber, Mendelssohn, Hopkins, Willis, Bach, Schubert, Adam, Mozart, Traditional) – 6/61, Price, WS, WP, DECCA (S).

100.  Cilea – Adriana Lecouvreur: Intermezzo – 9/67, BP, DG (S).

101.  Corelli – Concerto grosso Op. 8/6 – 8/70, BP, DG (S).

102.  Debussy – La Mer – 7/53, PO, EMI (S); 3/64, BP, DG (S); 1/77, BP, EMI (S); 2/78, BP, Unitel (L, V); 2/86, BP, DG/Telemondial (S, V+A).

103.  Debussy – Pelleas et Melisande – 12/78, Stilwell, Von Stade, Van Dam, Raimondi, DOC, BP, EMI (S).

104.  Debussy – Prélude à l'après-midi d'un faune – 3/64, BP, DG (S); 1/77, BP, EMI (S); 2/78, BP, Unitel (L, V); 2/86, BP, DG/Telemondial (S, V+A).

105.  Delibes – Coppelia (ballet suite) – 4/61, BP, DG (S).

106.  Donizetti – Lucia di Lammermoor – 9/55, Callas, Di Stefano, Zaccaria, Panerai, LS, EMI (L).

107.  Dvorak – Cello Concerto – 9/68, Rostropovich, DG (S).

108.  Dvorak – Scherzo Capriccioso – 9/71, BP, DG (S).

109.  Dvorak – Serenade for Strings – 9/80, BP, DG (S).

110.  Dvorak – Slavonic Dances Op. 46 Nos. 1, 3 & 7; Op. 72 Nos. 10 & 16 – 9/59, BP, DG (S).

111.  Dvorak – Slavonic Dance Op. 46 No. 8 – 1/77, BP, EMI (S).

112.  Dvorak – Symphony No. 8 – 10/61, WP, DECCA (S); 8/74, WP, Andante (L); 1/79, BP, EMI (S); 2/85, WP, DG/Telemondial (S, V+A).

113.  Dvorak – Symphony No. 9 – 3/40, BP, DG (S); 5/58, BP, EMI (S); 4/64, BP, DG (S); 2/66, BP, Unitel (S, V); 1/77, BP, EMI (S); 2/85, WP, DG/Telemondial (S, V+A).

114.  Franck – Symphonic Variations – 6/51, Gieseking, EMI (S); 9/72, Weissenberg, BP, EMI (S).

115.  Franck – Symphony in D minor – 11/69, OP, EMI (S).

116.  Granados – Goyescas: Intermezzo – 1/59, PO, EMI (S)

117.  Giordano – Fedora: Intermezzo – 9/67, BP, DG (S).

118.  Gluck – Orfeo ed Euridice – 8/59, Simionato, Jurinac, Sciutti, WP, DG (L).

119.  Gluck – Orfeo ed Euridice: Dance of the Blessed Spirits – 9/83, BP, DG (S).

120.  Gounod – Faust: Ballet Music – 1/58, PO, EMI (S); 2/71, BP, DG (S); 1/79, BP, EMI (S).

121.  Gounod – Faust: Serenade of Mephistopheles – 11/49, Christoff, PO, EMI (S).

122.  Gounod – Faust: Waltz – 2/71, BP, DG (S).

123.  Grieg – Holberg Suite – 2/81, BP, DG (S).

124.  Grieg – Peer Gynt Suite No. 1 – 9/61, WP, DECCA (S); 9/71, BP, DG (S); 2/82, BP, DG (S).

125.  Grieg – Peer Gynt Suite No. 2 – 9/61, WP, DECCA (S, only “Ingrid’s Lament” and “Solveig’s Song”); 9/71, BP, DG (S); 2/82, BP, DG (S).

126.  Grieg – Piano Concerto – 6/51, Gieseking, PO, EMI (S); 1/82, Zimerman, BP, DG (S).

127.  Grieg – Sigurd Jorsalfar – 9/71, BP, DG (S).

128.  Handel – 12 Concerti grossi, Op. 6 – 8/66–8/68, BP, DG (S).

129.  Handel – Water Music Suite (arr.: Harty) – 7/52, PO, EMI (S); 12/59, BP, EMI (S).

130.  Haydn – Die Jahreszeiten – 11/72, Janowitz, Hollweg, Berry, DOC, BP, EMI (S).

131.  Haydn – Die Schöpfung – 8/65, Janowitz, Prey, Wunderlich, Borg, WS, WP, DG (L); 9/68, Janowitz, Ludwig, Wunderlich, Krenn, Berry, Fischer-Dieskau, WS, BP, DG (S); 8/1982, Mathis, Murray, Araiza, Van Dam, WS, WP, DG (S+L, recording drawn from rehearsal and performance in Salzburg).

132.  Haydn – Symphony No. 82 – 7/80, BP, DG (S).

133.  Haydn – Symphony No. 83 – 8/71, BP, EMI (S); 7/80, BP, DG (S).

134.  Haydn – Symphony No. 84 – 7/80, BP, DG (S).

135.  Haydn – Symphony No. 85 – 7/80, BP, DG (S).

136.  Haydn – Symphony No. 86 – 7/80, BP, DG (S).

137.  Haydn – Symphony No. 87 – 7/80, BP, DG (S).

138.  Haydn – Symphony No. 93 – 2/82, BP, DG (S).

139.  Haydn – Symphony No. 94 – 2/82, BP, DG (S).

140.  Haydn – Symphony No. 95 – 2/82, BP, DG (S).

141.  Haydn – Symphony No. 96 – 2/82, BP, DG (S).

142.  Haydn – Symphony No. 97 – 2/82, BP, DG (S).

143.  Haydn – Symphony No. 98 – 2/82, BP, DG (S).

144.  Haydn – Symphony No. 99 – 2/82, BP, DG (S).

145.  Haydn – Symphony No. 100 – 2/82, BP, DG (S).

146.  Haydn – Symphony No. 101 – 8/71, BP, EMI (S); 2/82, BP, DG (S).

147.  Haydn – Symphony No. 102 – 2/82, BP, DG (S).

148.  Haydn – Symphony No. 103 – 4/63, WP, DECCA (S); 2/82, BP, DG (S).

149.  Haydn – Symphony No. 104 – 3/59, WP, DECCA (S); 12/75, BP, EMI (S); 7/79, WP, Andante (L); 2/82, BP, DG (S).

150.  Hindemith – Symphony “Mathis der Maler” – 2/57, WP, Orfeo (L); 11/57, BP, EMI (S).

151.  Holst – The Planets – 9/61, WP, DECCA (S); 3/81, BP, DG (S).

152.  Honegger – Symphony No. 2 – 8/69, BP, DG (S).

153.  Honegger – Symphony No. 3 "Liturgique" – 9/69, BP, DG (S).

154.  Hummel – Trumpet Concerto E flat – 5/74, Andre, BP, EMI (S).

155.  Humperdinck – Hänsel und Gretel – 7/53, Schwarzkopf, Grümmer, PO, EMI (S); 2/54, Schwarzkopf, Jurinac, Streich, Panerai, RAI Milano, Legato (L).

156.  Humperdinck – Hänsel und Gretel: Overture – 1/81, BP, EMI (S).

157.  Kodaly – Hary Janos: Intermezzo – 7/54, PO, EMI (S).

158.  Lehar – Die lustige Witwe – 11/72, Harwood, Stratas, Kollo. Grobe, Hollweg, Krenn, Kelemen, Renar, DOC, BP, DG (S).

159.  Leimer – Piano concerto for left hand – 11/54, Leimer, PO, EMI (S).

160.  Leimer – Piano concerto in C minor – 11/54, Leimer, PO, EMI (S).

161.  Leoncavallo – Pagliacci – 10/65, Carlyle, Bergonzi, Taddei, Panerai, LS, DG (S); 8/68, Kabaivanska, Vickers, Glossop, Panerai, LS, Unitel (S, V).

162.  Leoncavallo – Pagliacci: Intermezzo – 7/54, PO, EMI (S); 1/59, PO, EMI (S); 9/67, BP, DG (S); 12/85, BP, Telemondial (L, V).

163.  Liszt – Fantasy on Hungarian National Melodies – 12/60, Cherkassky, BP, DG (S).

164.  Liszt – Hungarian Rhapsody No. 2 – 2/58, PO, EMI (S); 4/67, BP, DG (S); 12/78, BP, Unitel (L, V).

165.  Liszt – Hungarian Rhapsody No. 4 – 2/61, BP, DG (S); 11/75, BP, DG (S).

166.  Liszt – Hungarian Rhapsody No. 5 – 12/60, BP, DG (S); 11/75, BP, DG (S); 2/84, BP, DG (S); 12/85, BP, Telemondial (L, V).

167.  Liszt – Les Preludes – 1/58, PO, EMI (S); 4/67, BP, DG (S); 2/84, BP, DG (S).

168.  Liszt – Mazeppa - 2/61, BP, DG (S).

169.  Liszt – Mephisto Waltz No. 1 – 9/71, BP, DG (S).

170.  Liszt – Tasso, Lamento e Trionfo – 11/75, BP, DG (S).

171.  Locatelli – Concerto Grosso Op. 1/8 – 70, BP, DG (S).

172.  Mahler – Das Lied von der Erde – 12/73, Ludwig, Kollo, BP, DG (S).

173.  Mahler – Kindertotenlieder – 5/74, Ludwig, BP, DG (S).

174.  Mahler – Rückert-Lieder – 10/74, Ludwig, BP, DG (S).

175.  Mahler – Symphony No. 4 – 2/79, BP, DG (S).

176.  Mahler – Symphony No. 5 – 2/73, BP, DG (S).

177.  Mahler – Symphony No. 6 – 3/77, BP, DG (S).

178.  Mahler – Symphony No. 9 – 9/80, BP, DG (S); 2/82, BP, DG (L).

179.  Manfredini – Concerto Grosso Op. 3/12 – 70, BP, DG (S).

180.  Mascagni – Cavalleria rusticana – 10/65, Cossotto, Bergonzi, Martino, Guelfi, LS, DG (S); 5-6/68, Cossotto, Cecchele, Martino, Guelfi, LS, Unitel (S, V).

181.  Mascagni – Cavalleria rusticana: Intermezzo – 1/49, WP, EMI (S); 7/54, PO, EMI (S); 9/67, BP, DG (S).

182.  Mascagni – L'amico Fritz: Intermezzo – 7/54, PO, EMI (S); 1/59, PO, EMI (S); 9/67, BP, DG (S); 12/78, BP, Unitel (L, V); 1/81, BP, EMI (S).

183.  Massenet – Thais: Meditation – 7/54, Parikian, PO, EMI (S); 9/67, Schwalbé, BP, DG (S); 1/81, Mutter, BP, EMI (S).

184.  Mendelssohn – Hebrides Overture – 9/60, BP, EMI (S); 1/71, BP, DG (S).

185.  Mendelssohn – Symphony No. 1 – 9/72, BP, DG (S).

186.  Mendelssohn – Symphony No. 2 – 2/73, BP, DG (S).

187.  Mendelssohn – Symphony No. 3 – 1/71, BP, DG (S).

188.  Mendelssohn – Symphony No. 4 – 2/71, BP, DG (S).

189.  Mendelssohn – Symphony No. 5 – 2/72, BP, DG (S).

190.  Mendelssohn – Violin Concerto – 9/80, Mutter, BP, DG (S).

191.  Mozart – Adagio and Fugue in C minor – 12/47, WP, DG (S); 8/69, BP, DG (S).

192.  Mozart – Ave verum corpus – 7/55, WS, PO, EMI (S).

193.  Mozart – Bassoon Concerto – 8/71, Piesk, BP, EMI (S).

194.  Mozart – Clarinet Concerto – 11/49, Wlach, WP, EMI (S); 6/55, Walton, PO, EMI (S); 8/71, Leister, BP, EMI (S).

195.  Mozart – Coronation Mass K. 317 – 5/67, Donath, Troyanos, Krenn, Crass, RAI Roma, Arkadia (L); 7/72 Mathis, Simon, Laubenthal, Van Dam, WS, WP, Andante (L); 9/75, Tomowa-Sintow, Baltsa, Krenn, Van Dam, WS, BP, DG (S); 6/85, Battle, Schmidt, Winbergh, Furlanetto, WS, WP, DG/Telemondial (L, V+A; the audio recording is of the music only, the video also includes the service by Pope John Paul II in St Peter, Rome).

196.  Mozart – Cosi fan tutte – 7/54, Schwarzkopf, Merriman, Otto, Simoneau, Panerai, Bruscantini, PO, EMI (S).

197.  Mozart – Die Entführung aus dem Serail: Martern aller Arten – 10/46, Schwarzkopf, WP, EMI (S).

198.  Mozart – Die Zauberflöte – 11/50, Seefried, Lipp, Loose, Dermota, Kunz, London, Weber, WS, WP, EMI (S); 12/53, Schwarzkopf, Streich, Taddei, Gedda, RAI Roma, Arkadia (L); 5/62, Lipp, Hallstein, Sciutti, Gedda, Kunz, Wachter, Frick, WSC, WP, RCA (L); 7/74, Mathis, Gruberova, Grist, Kollo, Prey, Van Dam, WSC, WP, Arkadia (L); 1/80, Mathis, Ott, Perry, Araiza, Hornik, Van Dam, Nikolai, DOC, BP, DG (S).

199.  Mozart – Die Zauberflöte: Bei Männern, welche Liebe fühlen – 12/47, Kunz, Schwarzkopf, WP, EMI (S).

200.  Mozart – Die Zauberflöte: Overture – 12/38, BS, DG (S, 1^st recording).

201.  Mozart – Die Zauberflöte: Wo willst du, kühner Fremdling hin – 5/62, Gedda, Wächter, WP, RCA (L).

202.  Mozart – Divertimento K. 136 – 8/68, BP, DG (S).

203.  Mozart – Divertimento K. 137 – 8/68, BP, DG (S).

204.  Mozart – Divertimento K. 138 – 8/68, BP, DG (S).

205.  Mozart – Divertimento K. 247 – 8/66, BP, DG (S).

206.  Mozart – Divertimento K. 251 – 8/66, BP, DG (S).

207.  Mozart – Divertimento K. 287 – 5/55, PO, EMI (S); 8/65, BP, DG (S); 5/72, BP, Testament (L, London); 10/84, BP, Telemondial (L, V, Osaka); 9/87, BP, DG (S).

208.  Mozart – Divertimento K. 334 – 12/47, WP, PO (EMI, Adagio only); 8/66, BP, DG (S); 5/69, BP, Melodya (L, Moscow); 4/87, BP, DG (S); 5/87, BP, Telemondial (L, V).

209.  Mozart – Don Giovanni – 8/60, Schwarzkopf, Price, Sciutti, Valletti, Wächter, Berry, Panerai, Zaccaria, WSC, WP, Orfeo (L); 6/63, Güden, Price, Sciutti, Wunderlich, Wächter, Berry, Kreppel, WSC, WP, Gala (L); 7/68, Janowitz, Zylis-Gara, Freni, Kraus, Ghiaurov, Berry, Evans, Talvela, WSC, WP, GOP (L); 8/69, Janowitz, Zylis-Gara, Freni, Kraus, Ghiaurov, Berry, Varady, Tomowa-Sintov, Battle, Winbergh, Ramey, Furlanetto, Burchuladze, VOC, VPO Evans, Halem, WSC, WP, Arkadia (L); 7/70, Janowitz, Zylis-Gara, Mijakovic, Burrows, Ghiaurov, Berry, Evans, Halem, WSC, WP, Arkadia (L); 1/85, Baltsa, Tomowa-Sintov, Battle, Winbergh, Ramey, Furlanetto, Burchuladze, DOC, BP, DG (S); 7/87, Varady, Tomowa-Sintov, Battle, Winbergh, Ramey, Furlanetto, Burchuladze, WSC, WP, Telemondial (L, V).

210.  Mozart – Don Giovanni: Batti, Batti, o bel Masetto – 12/47, Seefried, WP, EMI (S).

211.  Mozart – Don Giovanni: Crudele?… Non mi dir – 12/47, Cebotari, WP, EMI (S); 60, Price, WP (L).

212.  Mozart – Don Giovanni: Fin ch’an dal vino - 8/60, Wächter, WP, RCA (L).

213.  Mozart – Don Giovanni: La ci darem la mano – 12/47, Seefried, Kunz, WP, EMI (S); 8/60, Sciutti, Wächter, WP, RCA (L).

214.  Mozart – Don Giovanni: Or sai chi l’onore – 12/47, Cebotari, WP, EMI (S); 60, Price, WP, Melodram (L).

215.  Mozart – Eine kleine Nachtmusik – 10/46, WP, EMI (S); 11/53, PO, EMI (S); 12/59, BP, EMI (S); 8/65, BP, DG (S); 2/81, BP, DG (S).

216.  Mozart – Flute and Harp Concerto – 8/71, Galway, Helmis, BP, EMI (S).

217.  Mozart – Flute Concerto No. 1 – 8/71, Blau, BP, EMI (S).

218.  Mozart – German Dance K. 600 No. 5 – 10/46, WP, EMI (S); 11/60, BP, EMI (S).

219.  Mozart – German Dance K. 602 No. 3 – 11/60, BP, EMI (S).

220.  Mozart – German Dance K. 605 No. 3 – 10/46, WP, EMI (S); 11/60, BP, EMI (S).

221.  Mozart – Great Mass in C Minor K. 427 – 2/81, Hendricks, Perry, Schreier, Luxon, WS, BP, DG (S).

222.  Mozart – Horn Concerto No. 1 – 11/53, Brain, PO, EMI (S); 8/68, Seifert, BP, DG (S).

223.  Mozart – Horn Concerto No. 2 – 11/53, Brain, PO, EMI (S); 8/68, Seifert, BP, DG (S).

224.  Mozart – Horn Concerto No. 3 – 11/53, Brain, PO, EMI (S); 8/68, Seifert, BP, DG (S).

225.  Mozart – Horn Concerto No. 4 – 11/53, Brain, PO, EMI (S); 8/68, Seifert, BP, DG (S).

226.  Mozart – Le nozze di Figaro – 10/50, Schwarzkopf, Seefried, Jurinac, Kunz, London, WSC, WP, EMI (S, without the secco recitatives); 2/54, Schwarzkopf, Seefried, Jurinac, Panerai, Petri, Maionic, LS, Arkadia (L); 7/74, Harwood, Freni, Von Stade, Van Dam, Krause, WSC, WP, Bravissimo Opera Library (L); 4/78, Tomowa-Sintow, Cotrubas, Von Stade, Van Dam, Krause, WSC, WP, DECCA (S).

227.  Mozart – Le Nozze di Figaro: Deh, vieni, non tardar – 12/47, Seefried, WP, EMI (S).

228.  Mozart – Le Nozze di Figaro: Non piu andrai – 8/47, Kunz, WP, EMI (S).

229.  Mozart – Le Nozze di Figaro: Overture – 10/46, WP, EMI (S).

230.  Mozart – Le Nozze di Figaro: Se vuol ballare – 12/47, Kunz, WP, EMI (S).

231.  Mozart – Le Nozze di Figaro: Voi, che sapete – 12/47, Seefried, WP, EMI (S).

232.  Mozart – Le Nozze di Figaro: excerpts – 12/48–1/49, Schwarzkopf, Seefried, Jurinac, Cebotari, Taddei, Höfermeyer, WP, Di Stefano GDS 1206 (L).

233.  Mozart – Maurische Trauermusik – 12/47, WP, DG (S).

234.  Mozart – Oboe Concerto – 8/71, Koch, BP, EMI (S).

235.  Mozart – Piano Concerto No. 7 (3 Pianos) – 4/69, Eschenbach, Frantz, Karajan, BP, Curico-Hunt (L).

236.  Mozart – Piano Concerto No. 20 – 1/56, Kempff, BP, Audite (L, radio broadcast).

237.  Mozart – Piano Concerto No. 21 – 8/50, Lipatti, LFO (L); 7/57, Anda, BP, DG (L).

238.  Mozart – Piano Concerto No. 23 – 6/51, Gieseking, PO, EMI (S).

239.  Mozart – Piano Concerto No. 24 – 8/53, Gieseking, PO, EMI (S).

240.  Mozart – Requiem – 8/60, Price, Rössl-Majdan, Dermota, Wunderlich, Wächter, WS, WP, Melodram (L); 10/61, Lipp, Rössl-Majdan, Dermota, Berry, WS, BP, DG (S); 11/63, Lipp, Rössl-Majdan, Wunderlich, Engen, WS, WSy, Arkadia (L); 9/75, Tomowa-Sintow, Baltsa, Krenn, Van Dam, WS, BP, DG (S); 6/86, Tomowa-Sintow, Müller-Molinari, Cole, Burchuladze WS, WP, DG/Telemondial (S, V+A).

241.  Mozart – Serenata Notturna – 8/68, BP, DG (S); 9/83, BP, DG (S).

242.  Mozart – Sinfonia Concertante for Wind – 11/53, Sutcliffe, James, Walton, Brain, PO, EMI (S); 8/70, BP, Testament (L); 8/71, Steins, Braun, Staehr, Hauptmann, BP, EMI (S).

243.  Mozart – Symphony No. 29 – 3/60, BP, EMI (S); 8/65, BP, DG (S); 2/87, BP, DG (S).

244.  Mozart – Symphony No. 32 – 10/77, BP, DG (S).

245.  Mozart – Symphony No. 33 – 10/46, WP, EMI (S); 8/65, BP, DG (S).

246.  Mozart – Symphony No. 35 – 10/42, RAI Torino, DG (S); 2/55, BP, Movimento Musica (L, Washington); 5/55, PO, EMI (S); 7/57, BP, DG (L); 9/70, BP, EMI (S); 10/77, BP, DG (S).

247.  Mozart – Symphony No. 36 – 9/70, BP, EMI (S); 10/77, BP, DG (S).

248.  Mozart – Symphony No. 38 – 9/58, PO, EMI/Testament (S); 9/70, BP, EMI (S); 10/77, BP, DG (S).

249.  Mozart – Symphony No. 39 – 10/49, WP, EMI (S); 10/55, PO, EMI (S); 9/70, BP, EMI (S); 10/77, BP, DG (S); 9/87, BP, DG (S).

250.  Mozart – Symphony No. 40 – 10/42, RAI Torino, DG (S); 4/59, WP, DECCA (S); 9/70, BP, EMI (S); 10/77, BP, DG (S).

251.  Mozart – Symphony No. 41 – 10/42, RAI Torino, DG (S); 2/1954, RAI Torino, Tahra (L); 1/56, BP, Audite (L, radio broadcast); 7/57, BP, DG (L); 10/63, WP, DECCA (S); 9/70, BP, EMI (S); 10/77, BP, DG (S).

252.  Mozart – Violin Concerto No. 3 – 2/78, Mutter, BP, DG (S).

253.  Mozart – Violin Concerto No. 5 – 1/66, Menuhin, WSy, Unitel (S, V); 9/72, Oistrakh, European Youth Orchestra (L, LP: Melodya); 2/78, Mutter, BP, DG (S).

254.  Mozart, Leopold – Toy Symphony – 4/57, PO, EMI (S).

255.  Mozart, Leopold – Trumpet Concerto in D – 5/74, Andre, BP, EMI (S).

256.  Mussorgsky – Boris Godunov – 7/65, Ghiaurov, Ghiuselev, Jurinac, Usunow, Stolze, WSC, WP, Arkadia (L); 8/66, Jurinac, Maslennikov, Stolze, Ghiaurov, Kelemen, WSC, WP, Nuova Era (L); 11/70, Ghiaurov, Kelemen, Vishevskaya, Spiess, Maslennikov, WSC, WP, DECCA (S).

257.  Mussorgsky – Boris Godunov: Varlaam's Song – 11/48, Christoff, PO, EMI (S).

258.  Mussorgsky – Khovantschina: Intermezzo – 7/54, PO, EMI (S); 1/59, PO, EMI (S); 9/67, BP, DG (S).

259.  Mussorgsky – Khovantschina: Dance of the Persian Slaves – 11/54, PO, EMI (S); 9/60, PO, EMI (S).

260.  Mussorgsky – Pictures at an Exhibition – 6/56, PO, EMI (S); 11/65, BP, DG (S); 2/86, BP, DG/Telemondial (S, V+A).

261.  National Anthems (European Anthem (“Ode to Joy”, arranged for full orchestra by HvK), Austria, Belgium, Cyprus, Denmark, Germany, France, Iceland, Ireland, Italy, Luxembourg, Malta, The Netherlands, Norway, Sweden, Switzerland, Turkey, UK, Greece) – 2/72, BP, DG (S).

262.  Nicolai – Die lustigen Weiber von Windsor: Overture – 9/60, PO, EMI (S).

263.  Nielsen – Symphony No. 4 – 2/81, BP, DG (S).

264.  Offenbach – Barbe-Bleue: Overture – 9/80, BP, DG (S).

265.  Offenbach – Gaîté Parisienne Suite (arr.: Manuel Rosenthal) – 1/58, PO, EMI (S); 2/71, BP, DG (S).

266.  Offenbach – La Belle Helene: Overture – 9/80, BP, DG (S).

267.  Offenbach – La Grande Duchesse de Gerolstein: Overture – 9/80, BP, DG (S).

268.  Offenbach – Les Contes d'Hoffmann: Barcarolle – 7/54, PO, EMI (S); 1/59, PO, EMI (S); 9/80, BP, DG (S).

269.  Offenbach – Orfee aux Enfers: Overture – 7/55, PO, EMI (S); 9/60, PO, EMI (S); 9/80, BP, DG (S).

270.  Offenbach – Vert-Vert: Overture – 9/80, BP, DG (S).

271.  Orff – De temporum fine comoedia – 7/73, Tomowa-Sintow, Ludwig, Schreier, Greindl, Boysen, Kölner Rundfunkchor, RIAS-Kammerchor, Tölzer Knabenchor, Kölner Rundfunk-Sinfonie-Orchester, DG (S).

272.  Pachelbel – Canon and Fugue (arr.: Seifert) – 8/69, BP, DG (S); 12/83, BP, DG (S).

273.  Penderecki – Polymorphia – 1/68, BP, Foyer (L).

274.  Pizzetti – Assassino nelle Catedrale – 9/1960, Zadek, Ludwig, Dermota, Stolze, Hotter, Schöffler, WSC, WP, DG (L, sung in German).

275.  Ponchielli – Dance of the Hours – 11/54, PO, EMI (S); 9/60, PO, EMI (S); 1/71, BP, DG (S).

276.  Prokofiev – Classical Symphony – 2/81, BP, DG (S); 12/88, BP, Telemondial (L, V).

277.  Prokofiev – Peter and the Wolf – 4/57, Ustinov, PO, EMI (S).

278.  Prokofiev – Symphony No. 5 – 9/68, BP, DG (S).

279.  Prussian and Austrian Marches (30 pieces of unsurpassed obscurity) – 3/73, BP, DG (S).

280.  Puccini – Gianni Schicchi: “O mio babbino caro” – 11/48, Schwarzkopf, WP, EMI (S).

281.  Puccini – La Boheme – 11/63, Freni, Raimondi, Panerai, Güden, Vinco, WSC, WP, RCA (L); 9/64, Freni, Raimondi, Panerai, Vincenzi, Vinco, LS, Melodram (L); 5/65, Freni, Raimondi, Panerai, Martino, Vinco, LS, Unitel (S, V); 10/72, Freni, Pavarotti, Panerai, Harwood, Ghiaurov, DOC, BP, DECCA (S).

282.  Puccini – La Boheme: Si, mi chiamano Mimi – 11/48, Schwarzkopf, WP, EMI (S).

283.  Puccini – La Boheme: Quando me n’vo – 11/48, Welitsch, WP, EMI (S).

284.  Puccini – Madama Butterfly – 8/55, Callas, Gedda, Danielli, LS, EMI (S); 1/74, Freni, Pavarotti, Ludwig, WSC, WP, DECCA (S); 11/74, Freni, Domingo, Ludwig, WSC, WP (S, V); the last two recordings overlap.

285.  Puccini – Manon Lescaut: Intermezzo – 11/48, WP, EMI (S); 4/54, PO, EMI (S); 1/59, PO, EMI (S); 9/67, BP, DG; 1/81, BP, EMI (S); 12/85, BP, Telemondial (L, V).

286.  Puccini – Suor Angelica: Intermezzo – 9/67, BP, DG; 1/81, BP, EMI (S).

287.  Puccini – Tosca – 1/62, Cavalli, Usunow, Protti, WSC, WP, Arkadia (L); 9/62, Price, Di Stefano, Taddei, WSC, WP, DECCA (S); 9/79, Ricciarelli, Carreras, Raimondi, DOC, BPO, DG (S).

288.  Puccini – Turandot – 5/81, Ricciarelli, Domingo, Hendricks, Raimondi, WSC, WP, DG (S).

289.  Rachmaninoff – Piano Concerto No. 2 – 9/72, Weissenberg, BP, EMI (S); 9/73, Weissenberg, BP, Unitel (L, V).

290.  Ravel – Alborada del gracioso – 6/71, OP, EMI (S).

291.  Ravel – Bolero – 3/66, BP, DG (S); 1/77, BP, EMI (S); 12/85, BP, DG/Telemondial (S, L, V+A).

292.  Ravel – Daphis et Chloe: Suite No. 2 – 3/64, BP, DG (S); 2/78, BP, Unitel (L, V); 2/86, BP, DG/Telemondial (S, V+A).

293.  Ravel – La Valse – 6/71, OP, EMI (S).

294.  Ravel – Le Tombeau de Couperin – 6/71, OP, EMI (S).

295.  Ravel – Pavane pour une infante defunte – 2/86, BP, DG (S).

296.  Ravel – Rapsodie Espagnole – 7/53, PO, EMI (S); 6/71, OP, EMI (S); 2/87, BP, DG (S).

297.  Respighi – Antiche Danze et Arie: Suite 3 – 8/69, BP, DG (S).

298.  Respighi – Fontane di Roma – 2/78, BP, DG (S).

299.  Respighi – Pini di Roma – 1/58, PO, EMI (S); 2/78, BP, DG (S); 10/84, BP, Telemondial (L, Osaka).

300.  Reznicek – Donna Diana: Overture – 12/47, WP, EMI (S).

301.  Rimsky-Korsakov – Scheherazade – 1/67, BP, DG (S).

302.  Rossini – Il Barbiere di Siviglia: Overture – 3/60, PO, EMI (S); 1/71, BP, DG (S).

303.  Rossini – Italiana in Algeri: Overture – 3/60, PO, EMI (S); 1/71, BP, DG (S).

304.  Rossini – La gazza ladra: Overture – 3/60, PO, EMI (S); 1/71, BP, DG (S).

305.  Rossini – La scala di seta: Overture – 3/60, PO, EMI (S); 1/71, BP, DG (S).

306.  Rossini – Semiramide: Overture – 3/60, PO, EMI (S); 1/71, BP, DG (S).

307.  Rossini – Sonatas for Strings Nos. 1, 2, 4, 6 – 8/68, BP, DG (S).

308.  Rossini – William Tell: Ballet music – 3/60, PO, EMI (S); 1/71, BP, DG (S).

309.  Rossini – William Tell: Overture – 3/60, PO, EMI (S); 1/71, BP, DG (S); 1/75, BP, Unitel (L, V); 12/83, BP, Telemondial (L, V); 2/84, BP, DG (S).

310.  Roussel – Symphony No. 4 – 11/49, PO, EMI (S).

311.  Saint-Saens – Symphony No. 3 – 9/81, BP, DG (S).

312.  Schmidt – Notre Dame: Intermezzo – 1/59, PO, EMI (S); 9/67, BP, DG (S); 1/81, BP, EMI (S).

313.  Schoenberg – Pelleas und Melisande – 1/74, BP, DG (S).

314.  Schoenberg – Variations, Op. 31 – 2/74, BP, DG (S).

315.  Schoenberg – Verklärte Nacht – 12/73, BP, DG (S); 10/88, BP, Testament, (L, London).

316.  Schubert – Rosamunde: Ballet music 1 – 1/78, BP, EMI (S).

317.  Schubert – Rosamunde: Ballet music 2 – 1/78, BP, EMI (S).

318.  Schubert – Rosamunde: Overture – 1/78, BP, EMI (S).

319.  Schubert – Symphony No. 1 – 1/78, BP, EMI (S).

320.  Schubert – Symphony No. 2 – 1/78, BP, EMI (S).

321.  Schubert – Symphony No. 3 – 1/78, BP, EMI (S).

322.  Schubert – Symphony No. 4 – 1/78, BP, EMI (S).

323.  Schubert – Symphony No. 5 – 5/58, BP, EMI (S); 1/78, BP, EMI (S).

324.  Schubert – Symphony No. 6 – 1/78, BP, EMI (S).

325.  Schubert – Symphony No. 8 – 5/55, PO, EMI (S); 10/64, BP, DG (S); 1/75, BP, EMI (S).

326.  Schubert – Symphony No. 9 – 9/46, WP, EMI (S); 9/68, BP, DG (S); 1/78, BP, EMI (S).

327.  Schumann – Overture, Scherzo and Finale – 2/71, BP, DG (S).

328.  Schumann – Piano Concerto – 4/48, Lipatti, PO, EMI (S); 8/53, Gieseking, PO, EMI (S); 8/74, Pollini, WP, DG (L); 1/82, Zimerman, BP, DG (S).

329.  Schumann – Symphony No. 1 – 2/71, BP, DG (S).

330.  Schumann – Symphony No. 2 – 2/71, BP, DG (S).

331.  Schumann – Symphony No. 3 – 2/71, BP, DG (S).

332.  Schumann – Symphony No. 4 – 4/57, BP, EMI (S); 11/65, WS, Unitel (S, V, including rehearsal); 2/71, BP, DG (S); 2/72, DS, DG (L); 5/87, WP, DG (L).

333.  Shostakovich – Symphony No. 10 – 11/66, BP, DG (S); 5/69, BP, Melodya (L, Moscow); 8/76, DS, Sardana (L); 2/81, BP, DG (S).

334.  Sibelius – En Saga – 10/76, BP, EMI (S).

335.  Sibelius – Finlandia – 7/52, PO, EMI (S); 1/59, PO, EMI (S); 10/64, BP, DG (S); 12/76, BP, EMI (S); 2/84, BP, DG (S).

336.  Sibelius – Karelia Suite – 1/81, BP, EMI (S).

337.  Sibelius – Pelleas and Melisande – 2/82, BP, DG (S).

338.  Sibelius – Symphony No. 1 – 1/81, BP, EMI (S).

339.  Sibelius – Symphony No. 2 – 3/60, PO, EMI (S); 11/80, BP, EMI (S).

340.  Sibelius – Symphony No. 4 – 7/53, PO, EMI (S); 5/65, BP, DG (S); 12/76, BP, EMI (S).

341.  Sibelius – Symphony No. 5 – 7/52, PO, EMI (S); 5/57, BP, Sony (L); 9/60, PO, EMI (S); 2/65, BP, DG (S); 10/76, BP, EMI (S).

342.  Sibelius – Symphony No. 6 – 7/55, PO, EMI (S); 4/67, BP, DG (S); 11/80, BP, EMI (S).

343.  Sibelius – Symphony No. 7 – 7/55, PO, EMI (S); 9/67, BP, DG (S).

344.  Sibelius – Tapiola – 7/53, PO, EMI (S); 10/64, BP, DG (S); 12/76, BP, EMI (S); 2/84, BP, DG (S).

345.  Sibelius – The Swan of Tuonela – 9/65, BP, DG (S); 12/76, BP, EMI (S); 2/84, BP, DG (S).

346.  Sibelius – Valse Triste – 1/58, PO, EMI (S); 1/67, BP, DG (S); 11/80, BP, EMI (S); 12/83, BP, Telemondial (L, V); 2/84, BP, DG (S).

347.  Sibelius – Violin Concerto – 10/64, Ferras, BP, DG (S).

348.  Smetana – The Bartered Bride: Dance of the Comedians – 9/71, BP, DG (S).

349.  Smetana – The Bartered Bride: Furiant – 9/71, BP, DG (S).

350.  Smetana – The Bartered Bride: Polka – 9/71, BP, DG (S).

351.  Smetana – The Bartered Bride: Endlich allein… Wie fremd und tot – 12/47, Konetzni, WP, EMI (S).

352.  Smetana – Vltava (Moldau) – 6/40, BP, DG (S); 5/58, BP, EMI (S); 4/67, BP, DG (S); 1/77, BP, EMI (S); 12/83, BP, Telemondial (L, V); 2/84, BP, DG (S); 5/85, WP, DG (S).

353.  Smetana – Vysherad – 4/67, BP, DG (S).

354.  Strauss, Johann – Accelerationen – 12/80, BP, DG (S).

355.  Strauss, Johann – Ägyptischer Marsch – 4/69, BP, DG (S).

356.  Strauss, Johann – An der schönen blauen Donau – 10/46, WP, EMI (S); 7/55, PO, EMI (S); 6/58, WP, Wiener Männersingverein, Arkadia (L, Brussels); 12/66, BP, DG (S); 12/75, BP, EMI (S); 12/80, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

357.  Strauss, Johann – Annen Polka – 6/58, WP, Arkadia (L, Brussels); 4/59, WP, DECCA (S); 12/66, BP, DG (S); 6/68, WP, DG (L); 12/75, BP, EMI (S); 12/80, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

358.  Strauss, Johann – Auf der Jagd – 6/58, WP, Arkadia (L, Brussels); 4/59, WP, DECCA (S); 4/69, BP, DG (S); 12/80, BP, DG (S).

359.  Strauss, Johann – Die Fledermaus – 4/55, Schwarzkopf, Streich, Gedda, Kunz, PO, EMI (S); 6/60, Güden, Köth, Kmentt, Berry, Wächter, Zampieri, Resnik, WP, DECCA (S); 12/60, Güden, Streich, Wächter, Kunz, Stolze, Zampieri, Berry, WSC, WP, RCA (L).

360.  Strauss, Johann – Die Fledermaus: Overture – 12/42, BP, DG (S); 11/48, WP, EMI (S); 6/58, WP, Arkadia (L, Brussels); 4/59, WP, DECCA (S); 12/66, BP, DG (S); 12/75, BP, EMI (S); 12/80, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

361.  Strauss, Johann – Die Fledermaus: Quadrille – 12/80, BP, DG (S).

362.  Strauss, Johann – Die Fledermaus: Ballet music – 4/59, WP, DECCA (S).

363.  Strauss, Johann – Der Zigeunerbaron: Overture – 10/42, BP, DG (S); 10/46, WP, EMI (S); 7/55, PO, EMI (S); 4/59, WP, DECCA (S); 12/66, BP, DG (S); 6/68, WP, DG (L); 12/75, BP, EMI (S); 12/80, BP, DG (S); 12/83, BP, Telemondial (L, V); 1/87, WP, Telemondial (L, V+A).

364.  Strauss, Johann – Der Zigeunerbaron: So elend und treu – 11/48, Cebotari, WP, EMI (S).

365.  Strauss, Johann – Eljen a Magyar – 12/80, BP, DG (S).

366.  Strauss, Johann – Frühlingsstimmen – 6/58, Güden, WP, DG (L, Brusssels); 1/87, Battle, WP, DG/Telemondial (L, V+A).

367.  Strauss, Johann – G'schichten aus dem Wienerwald – 11/48, WP, EMI (S); 4/59, WP, DECCA (S); 4/69, BP, DG (S); 12/80, BP, DG (S).

368.  Strauss, Johann – Kaiserwalzer – 6/41, BP, DG (S); 10/46, WP, EMI (S); 7/55, PO, EMI (S); 12/66, BP, DG (S); 6/58, WP, Arkadia (L, Brussels); 8/68, WP, DG (L); 12/75, BP, EMI (S); 12/80, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

369.  Strauss, Johann – Künstlerleben – 6/41, BP, DG (S); 10/46, WP, EMI (S); 7/55, PO, EMI (S); 12/80, BP, DG (S).

370.  Strauss, Johann – Leichtes Blut – 10/46, WP, EMI (S); 4/69, BP, DG (S); 12/80, BP, DG (S).

371.  Strauss, Johann – Morgenblätter – 4/69, BP, DG (S).

372.  Strauss, Johann – Napoleon Marsch – 12/80, BP, DG (S).

373.  Strauss, Johann – Perpetuum Mobile – 1/49, WP, EMI (S); 12/66, BP, DG (S); 8/68, WP, DG (L); 12/80, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

374.  Strauss, Johann – Persischer Marsch – 4/69, BP, DG (S); 12/80, BP, DG (S).

375.  Strauss, Johann – Postillion d'Amour – 4/69, BP, DG (S).

376.  Strauss, Johann – Rosen aus dem Süden – 12/80, BP, DG (S).

377.  Strauss, Johann – Tritsch-Tratsch – 10/49, WP, EMI (S); 7/55, PO, EMI (S); 9/60, PO, EMI (S); 12/66, BP, DG (S); 12/75, BP, EMI (S); 12/80, BP, DG (S).

378.  Strauss, Johann – Unter Donner und Blitz – 10/49, WP, EMI (S); 7/55, PO, EMI (S); 6/58, WP, Arkadia (L, Brussels); 9/60, PO, EMI (S); 4/69, BP, DG (S); 12/80, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

379.  Strauss, Johann – Vergnügungszug – 1/87, WP, DG/Telemondial (L, V+A).

380.  Strauss, Johann – Wein, Weib und Gesang – 10/49, WP, EMI (S); 12/80, BP, DG (S).

381.  Strauss, Johann – Wiener Blut – 10/49, WP, EMI (S); 4/69, BP, DG (S); 12/80, BP, DG (S).

382.  Strauss, Johann (Vater) – Beliebte Annen Polka – 1/87, WP, DG/Telemondial (L, V+A).

383.  Strauss, Johann (Vater) – Radetzky Marsch – 7/55, PO, EMI (S); 6/58, WP, Arkadia (L, Brussels); 9/60, PO, EMI (S); 12/66, BP, DG (S); 12/80, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

384.  Strauss, Josef – Delirien – 10/49, WP, EMI (S); 7/55, PO, EMI (S); 4/59, WP, DECCA (S); 12/66, BP, DG (S); 8/68, WP, DG (L); 12/80, BP, DG (S); 12/83, BP, Telemondial (L, V); 1/87, WP, DG/Telemondial (L, V+A).

385.  Strauss, Josef – Ohne Sorgen – 1/87, WP, DG/Telemondial (L, V+A).

386.  Strauss, Josef – Sphärenklänge – 10/49, WP, EMI (S); 4/69, BP, DG (S); 12/80, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

387.  Strauss, Josef – Transaktionen – 10/49, WP, EMI (S).

388.  Strauss, Josef & Johann – Pizzicato Polka – 10/46, WP, EMI (S); 7/55, PO, EMI (S); 6/58, WP, Arkadia (L, Brussels); 4/69, BP, DG (S); 1/87, WP, DG/Telemondial (L, V+A).

389.  Strauss, Richard – Also sprach Zarathustra – 4/59, WP, DECCA (S); 8/64, WP, Andante (L); 8/70, BP, Testament (L); 3/73, BP, DG (S); 5/77, BP, Live Classics Best – Japan (L, orchestra incorrectly listed as WP); 9/83, BP, DG (S); 5/87, BP, Telemondial (L, V).

390.  Strauss, Richard – Ariadne auf Naxos – 7/54, Schwarzkopf, Streich, Seefried, Schock, PO, EMI (S).

391.  Strauss, Richard – Ariadne auf Naxos: Es gibt ein Reich – 11/48, Cebotari, WP, EMI (S).

392.  Strauss, Richard – Capriccio: Orchestral interlude and Closing Scene – 11/85, Tomowa-Sintow, BP, DG (S).

393.  Strauss, Richard – Der Rosenkavalier – 1/52, Schwarzkopf, Jurinac, Della Casa, Edelmann, Kunz, LS, Legato (L); 12/56, Schwarzkopf, Edelmann, Ludwig, Wachter, Stich-Randall, Welitsch, PO, EMI (S); 7/60, Della Casa, Jurinac, Güden, Edelmann, Kunz, WP, DG (L); 8/60, Schwarzkopf, Jurinac, Rothenberger, Zampieri, Edelmann, Kunz, WSC, WP, Kultur (L, V); 7/63, Schwarzkopf, Jurinac, Rothenberger, Romani, Edelmann, Donch, WSC, WP,  (L, LP: Movimento Musica); 8/64, Schwarzkopf, Jurinac, Rothenberger, Lorenzi, Edelmann, Ferenz, WSC, WP, Arkadia (L); 1/84, Tomowa-Sintow, Baltsa, Perry, Cole, Moll, Hornik, WSC, WP, DG (S); 7/84, Tomowa-Sintow, Baltsa, Perry, Cole, Moll, Hornik, WP, Telemondial (L, V).

394.  Strauss, Richard – Der Rosenkavalier: Kann mich auch an ein Mädel erinnern – 12/47, Konetzni, WP, EMI (S).

395.  Strauss, Richard – Der Rosenkavalier: Quinquin, er soll jetzt geh’n – 12/47, Konetzni, WP, EMI (S).

396.  Strauss, Richard – Der Rosenkavalier: Herr Gott in Himmel – 12/47, Schwarzkopf, Seefried, WP, EMI (S).

397.  Strauss, Richard – Die Frau ohne Schatten – 6/64, Rysanek, Hoffman, Ludwig, Thomas, Berry, Popp, Wunderlich, WK, WSC (L).

398.  Strauss, Richard – Die heiligen drei Könige aus Mohrenland – 11/85, Tomowa-Sintow, BP, DG (S).

399.  Strauss, Richard – Don Juan – 9/43, CA, DG (S); 12/51, PO, EMI/Testament (S); 10/54, PO, Arkadia (L, Turin, wrongly given as “London, 28/5/1952”); 11/57, BP, Dynamic (L, V, Tokyo); 6/60, WP, DECCA (S); 1/73, BP, DG (S); 5/77, BP, Live Classics Best – Japan (L); 11/83, BP, DG (S); 10/84, BP, Telemondial (L, Osaka).

400.  Strauss, Richard – Don Quixote – 12/65, Fournier, BP, DG (S); 1/75, Rostropovich, BP, EMI/Unitel (S, V+A); 1/86, Meneses, BP, DG/Telemondial (S, V+A).

401.  Strauss, Richard – Ein Heldenleben – 3/59, BP, DG (S); 8/64, BP, Paragon (L); 5/67, BP, Nuova Era (L, Florence); 5/69, BP, Melodya (L, Moscow); 4/71, BP, Live Classics Best – Japan (L); 5/72, BP, Testament (L, London); 5/74, BP, EMI (S); 2/85, BP, DG/Telemondial (S, V+A); 4/85, BP, Testament (L, London).

402.  Strauss, Richard – Eine Alpensinfonie – 12/80, BP, DG (S); 8/82, BP, Live Classics Best – Japan (L); 11/83, BP, Telemondial (L, V).

403.  Strauss, Richard – Elektra – 8/64, Mödl, Varnay, Hillebrecht, WSC, WP, Orfeo (L).

404.  Strauss, Richard – Four Last Songs – 6/56, Schwarzkopf, PO, EMI (L); 8/64, Schwarzkopf, BP, Nuova Era (L); 2/73, Janowitz, BP, DG (S); 11/85, Tomowa-Sintow, BP, DG (S).

405.  Strauss, Richard – Horn Concerto No. 2 – 3/73, Hauptmann, BP, DG (S).

406.  Strauss, Richard – Metamorphosen – 11/47, WP, EMI (S, world premiere recording); 8/69, BP, DG (S); 9/80, BP, DG (S); 11/84, BP, Telemondial (L, V).

407.  Strauss, Richard – Oboe Concerto – 9/69, Koch, BP, DG (S).

408.  Strauss, Richard – Salome – 5/77-5/78, Behrens, Böhm, Baltsa, Van Dam, Ochman, WP, EMI (S).

409.  Strauss, Richard – Salome: Orchestral interlude and Closing Scene – 11/48, Wellitsch, WP, EMI (S).

410.  Strauss, Richard – Salome: Tanz der sieben Schleier – 9/43, CA, DG (S); 9/60, WP, DECCA (S); 1/73, BP, DG (S).

411.  Strauss, Richard – Salome: Abstieg in die Cisterne – 11/48, Welitsch, Schuster, Witt, WP, EMI (S).

412.  Strauss, Richard – Salome: Ah! Du wolltest mich nicht – 11/48, Welitsch, Schuster, Witt, WP, EMI (S).

413.  Strauss, Richard – Salome: Ah! warum hast du mich nicht angeseh’n – 11/48, Welitsch, Schuster, Witt, WP, EMI (S).

414.  Strauss, Richard – Sinfonia domestica – 6/73, BP, EMI (S).

415.  Strauss, Richard – Till Eulenspiegel – 12/51, PO, EMI/Testament (S); 2/55, BP, Foyer (L, Washington); 6/60, WP, DECCA (S); 1/73, BP, DG (S); 5/77, BP, Live Classics – Japan (L); 6/86, BP, DG (S).

416.  Strauss, Richard – Tod und Verklärung – 7/53, PO, EMI/Testament (S); 6/60, WP, DECCA (S); 1/73, BP, DG (S); 1/82, BP, DG (S); 11/84, BP, Telemondial (L, V).

417.  Stravinsky – Apollon Musagete – 8/72, BP, DG (S).

418.  Stravinsky – Circus Polka – 4/70, BP, DG (S).

419.  Stravinsky – Concerto in D – 8/69, BP, DG (S).

420.  Stravinsky – Jeu de Cartes – 5/52, PO, EMI (S).

421.  Stravinsky – Oedipus Rex – 12/52, RAI Roma, Datum (L).

422.  Stravinsky – Symphony in C – 12/69, BP, DG (S).

423.  Stravinsky – Symphony of Psalms – 2/75, DOC, BP, DG (S).

424.  Stravinsky – The Rite of Spring – 2/64, BP, DS (S); 5/72, BP, Testament (L, London); 1/77, BP, DG (S).

425.  Suppe – Dichter und Bauer: Overture – 9/69, BP, DG (S).

426.  Suppe – Die schöne Galathea: Overture – 9/69, BP, DG (S).

427.  Suppe – Ein Morgen ein Mittag ein Abend in Wien: Overture – 9/69, BP, DG (S).

428.  Suppe – Leichte Kavallerie – 7/55, PO, EMI (S); 9/60, PO, EMI (S); 9/69, BP, DG (S); 12/78, BP, Unitel (L, V).

429.  Suppe – Pique Dame: Overture – 9/69, BP, DG (S).

430.  Suppe – Banditenstreiche – 9/69, BP, DG (S).

431.  Tchaikovsky – Capriccio Italien – 10/66, BP, DG (S).

432.  Tchaikovsky – Eugene Onegin: Polonaise & Waltz – 1/71, BP, DG (S).

433.  Tchaikovsky – Marche Slave – 10/66, BP, DG (S).

434.  Tchaikovsky – Nutcracker Suite – 7/52, PO, EMI (S); 9/61, WP, DECCA (S); 12/66, BP, DG (S); 9/82, BP, DG (S).

435.  Tchaikovsky – Overture 1812 – 2/58, PO, EMI (S); 12/66, BP, Don Kosaken Choir, DG (S).

436.  Tchaikovsky – Piano Concerto No. 1 – 2/62, Richter, WSy, DG (S); 4/67, Weissenberg, BP, Unitel (S, V); 2/70, Weissenberg, OP, EMI (S); 9/73, Weissenberg, BP, VHM (S, V, Laseridisc, Japan only, different film than the one from 67?); 11/75, Berman, BP, DG (S); 12/88, Kissin, BP, DG (S); 12/88, Kissin, BP, Telemondial (L, V); the last two recordings may overlap.

437.  Tchaikovsky – Rococo Variations – 9/68, Rostropovich, BP, DG (S).

438.  Tchaikovsky – Romeo and Juliet – 10/46, WP, EMI (S); 6/60, WP, DECCA (S); 10/66, BP, DG (S); 9/82, BP, DG (S).

439.  Tchaikovsky – Serenade for Strings – 10/66, BP, DG (S); 10/80, BP, DG (S).

440.  Tchaikovsky – Sleeping Beauty Suite – 12/52, PO, EMI (S); 1/59, PO, EMI (S); 3/65, WP, DECCA (S); 2/71, BP, DG (S).

441.  Tchaikovsky – Swan Lake Suite – 12/52, PO, EMI (S); 1/59, PO, EMI (S); 3/65, WP, DECCA (S); 2/71, BP, DG (S).

442.  Tchaikovsky – Symphony No. 1 – 12/77, BP, DG (S).

443.  Tchaikovsky – Symphony No. 2 – 1/79, BP, DG (S).

444.  Tchaikovsky – Symphony No. 3 – 2/79, BP, DG (S).

445.  Tchaikovsky – Symphony No. 4 – 7/53, PO, EMI (S); 11/54, WP, Orfeo (L); 2/60, BP, EMI (S); 10/66, BP, DG (S); 9/71, BP, EMI (S); 12/73, BP, Unitel (L, V); 12/76, BP, DG (S); 9/84, WP, DG/Telemondial (S, V+A).

446.  Tchaikovsky – Symphony No. 5 – 2/53, RAI Torino, Cetra (L); 7/53, PO, EMI (S); 9/65, BP, DG (S); 9/71, BP, EMI (S); 5/73, BP, Unitel (L, V); 10/75, BP, DG (S); 3/84, WP, DG/Telemondial (S, V+A).

447.  Tchaikovsky – Symphony No. 6 – 4/39, BP, DG (S); 1/49, WP, EMI (S); 1/54, NHK SO, DG (L, Tokyo); 6/56, PO, EMI (S); 2/64, BP, DG (S); 9/71, BP, EMI (S); 12/73, BP, Unitel (L, V); 5/76, BP, DG (S); 1/84, WP, DG/Telemondial (S, V+A).

448.  Tchaikovsky – Violin Concerto – 11/65, Ferras, BP, DG (S); 8/88, Mutter, WP, DG (L).

449.  Telemann – Trumpet Concerto in D – 5/74, Andre, BP, EMI (S).

450.  Torelli – Concerto Grosso Op. 8/6 – 70, BP, DG (S).

451.  Vaughan Williams – Fantasia on a Theme by Thomas Tallis – 11/53, PO, EMI (S).

452.  Verdi – Aida – 2/51, Martinis, Rankin, Fehenberger, Petri, WSC, WP, Arkadia (L); 9/59, Tebaldi, Bergonzi, Simionato, Macneil, WSC, WP, DECCA (S); 5/79, Freni, Carreras, Baltsa, Cappuccilli, WSC, WP, EMI (S).

453.  Verdi – Aida: Ballet music (Act 2) – 11/54, PO, EMI (S); 9/60, PO, EMI (S); 1/71, BP, DG (S).

454.  Verdi – Aida: Dances of the Priestesses & the Moorish slaves – 1/71, BP, DG (S).

455.  Verdi – Aida: Prelude – 10/75, BP, DG (S).

456.  Verdi – Alzira: Overture – 10/75, BP, DG (S).

457.  Verdi – Aroldo: Overture – 10/75, BP, DG (S).

458.  Verdi – Attila: Prelude – 10/75, BP, DG (S).

459.  Verdi – Don Carlo – 7/58, Fernandi, Jurinac, Simionato, Bastianini, Siepi, Zaccaria, WSC, WP, DG (L); 9/78, Carreras, Freni, Baltsa, Cappuccilli, Ghiaurov, Raimondi, DOC, BP, EMI (S); 3/86, Carreras, Izzo-d'Amico, Baltsa, Cappuccilli, Furlanetto, Salminen, WSC, BP, Telemondial (L, V).

460.  Verdi – Don Carlo: Ella giammai m’amo –11/49, Christoff, PO, EMI (S).

461.  Verdi – Ernani: Prelude – 10/75, BP, DG (S).

462.  Verdi – Falstaff – 7/56, Gobbi, Alva, Panerai, Schwarzkopf, Moffo, Merriman, Barbieri, PO, EMI (S); 8/57, Gobbi, Alva, Panerai, Schwarzkopf, Moffo, Simionato, Arkadia (L); 5/80, Kabaivanska, Perry, Schmidt, Ludwig, Araiza, Taddei, Panerai, WSC, WP DG (S); 7/82, Kabaivanska, Perry, Schmidt, Ludwig, Araiza, Taddei, Panerai, WSC, WP, Telemondial (L, V).

463.  Verdi – Giovanna d’Arco: Overture – 10/75, BP, DG (S).

464.  Verdi – I masnadieri: Overture – 10/75, BP, DG (S).

465.  Verdi – I vespri siciliani: Overture – 10/75, BP, DG (S).

466.  Verdi – Il corsaro: Overture – 10/75, BP, DG (S).

467.  Verdi – Il trovatore – 8/56, Callas, di Stefano, Barbieri, Panerai, LS, EMI (S); 7/62, Price, Corelli, Simionato, Bastianini, WSC, WP (L); 9/77, Price, Bonisolli, Obraztsova, Cappuccilli, DOC, BP, EMI (S); 5/78, Kabaivanska, Domingo, Cossotto, Cappuccilli, WSC, WP, RCA/TDK (L, V+A).

468.  Verdi – La Battaglia di Legnano: Overture – 10/75, BP, DG (S).

469.  Verdi – La Forza del Destino: Overture – 2/39, BS, DG (S); 10/75, BP, DG (S); 12/78, BP, Unitel (L, V).

470.  Verdi – La Traviata – 12/64, Freni/Moffo, Cioni, Sereni, LS, Arkadia (L, 2 different performances released).

471.  Verdi – La Traviata: Prelude (Act 1) – 10/42, RAI Torino, DG (S); 10/75, BP, DG (S).

472.  Verdi – La Traviata: Prelude (Act 3) – 10/42, RAI Torino, DG (S); 7/54, PO, EMI (S); 9/67, BP, DG (S).

473.  Verdi – Luisa Miller: Overture – 10/75, BP, DG (S).

474.  Verdi – Macbeth: Prelude – 10/75, BP, DG (S).

475.  Verdi – Nabucco: Overture – 10/75, BP, DG (S).

476.  Verdi – Oberto: Overture – 10/75, BP, DG (S).

477.  Verdi – Otello – 5/61, Del Monaco, Tebaldi, Protti, WSC, WP, DECCA (S); 8/72, Vickers, Freni, Glossop, Foyer (L); 8/73, Vickers, Freni, Glossop, DOC, BP, EMI/Unitel (S, V+A).

478.  Verdi – Otello: Ballet Music – 1/71, BP, DG (S).

479.  Verdi – Requiem – 8/49, Zadek, Klose, Rosvaenge, Christoff, WS, WP, Audite (L); 11/54, Stella, Dominguez, Gedda, Modesti, WS, WSy, Orfeo (L); 8/58, Rysanek, Ludwig, Zampieri, Siepi, WS, WP, EMI (L); 8/62, Price, Simionato, Zampieri, Ghiaurov, WS, BP, Testament (L); 9/64, Price, Cossotto, Bergonzi, Zaccaria, LS, Foyer (L, Moscow, bass incorrectly given as Ghiaurov); 1/67, Price, Cossotto, Pavarotti, Ghiaurov, LS, Unitel (S, V); 8/70, Janowitz, Ludwig, Bergonzi, Raimondi, WS, WP, Doremi (L); 1/72, Freni, Ludwig, Cossutta, Ghiaurov, WS, BP, DG (S); 6/84, Tomowa-Sintow, Baltsa, Carreras, Van Dam, WS, WP, Sofia National Opera Chorus (S, V+A).

480.  Verdi – Rigoletto: Prelude – 10/75, BP, DG (S).

481.  Verdi – Un Ballo in Maschera – 2/89, Domingo, etc., WSC, WP, DG (S).

482.  Verdi – Un Ballo in Maschera: Prelude – 10/75, BP, DG (S).

483.  Verdi – Un Giorno di Regno: Overture – 10/75, BP, DG (S).

484.  Vivaldi – Concertos RV 129, 151, 234, 271 & 523; Sinfonia RV 169 – 70, BP, DG (S).

485.  Vivaldi – Concertos RV 549, 550, 567, 580 – 72, BP, DG (S).

486.  Vivaldi – Concerto RV 439 – 83, BP, DG (S).

487.  Vivaldi – The Four Seasons – 8/72, Schwalbe, BP, DG (S); 6/84, Mutter, WP, EMI (S); 10/87, Mutter, WP, Telemondial (L, V).

488.  Vivaldi – Trumpet Concerto – 5/74, Andre, BP, EMI (S).

489.  Wagner – Das Rheingold – 8/51, Bjoerling, Malaniuk, Weber, Windgassen, Schwarzkopf, BFO, Arkadia (L); 12/67, Fischer-Dieskau, Veasey, Kelemen, Stolze, Dominguez, BP (S); 4/73 (audio) – 78 (video), Stewart, Fassbänder, Kelemen, Stolze, Schreier, BP (S, V).

490.  Wagner – Der fliegende Holländer – 12/83, Van Dam, Vejzovic, Hofmann, Moll, WSC, BP, EMI (S).

491.  Wagner – Der fliegende Holländer: Overture – 9/60, BP, EMI (S); 10/74, BP, EMI (S).

492.  Wagner – Der fliegende Holländer: Summ’ und Brumm’ – 11/48, Schuster, WSC, WP, EMI (S).

493.  Wagner – Der fliegende Holländer: Introduction and Sailors’ Chorus (Act 3) – 11/49, WSC, WP, EMI (S).

494.  Wagner – Die Meistersinger von Nürnberg – 8/51, Schwarzkopf, Malaniuk, Hopf, Unger, Edelmann, BFO, EMI (L); 12/70, Donath, Kollo, Schreier, Adam, Ridderbusch, DS, EMI (S).

495.  Wagner – Die Meistersinger von Nürnberg: Prelude (Act 1) – 2/39, BS, DG (S); 2/57, BP, EMI (S); 10/74, BP, EMI (S).

496.  Wagner – Die Meistersinger von Nürnberg: Prelude (Act 3) – 2/84, BP, DG (S).

497.  Wagner – Die Meistersinger von Nürnberg: Final Chorus – 11/49, WSC, WP, EMI (S).

498.  Wagner – Die Meistersinger von Nürnberg: Da zu dir der Heiland kam– 11/49, WSC, WP, EMI (S).

499.  Wagner – Die Walküre – 8/51, Bjoerling, Varnay, Rysanek, BFO, EMI (L, Act 3 only!); 12/66, Crespin, Stewart, Janowitz, Vickers, Veasey, Talvela, BP, DG (S); 3/67, Crespin, Stewart, Janowitz, Vickers, Ludwig, Talvela, BP, Arkadia (L); 3/69, Nilsson, Adam, Crespin, Vickers, Veasy, Talvela, Metropolitan, Arkadia (L).

500.  Wagner – Götterdämmerung – 8/51, Varnay, Modl, Schwarzkopf, Uhde, Pflanz, Weber, BFO, Arkadia (L, Act 3 only!); 10/69, Dernesch, Janowitz, Ludwig, Brilioth, Stewart, Kelemen, Ridderbusch, DOC, BP, DG (S); 3/70, Dernesch, Janowitz, Ludwig, Thomas, Stewart, Kelemen, Ridderbusch, WSC, BP, Arkadia (L).

501.  Wagner – Lohengrin – 12/75-5/81, Tomowa-Sintow, Vejzovic, Kollo, Nimsgern, DOC, BP, EMI (S).

502.  Wagner – Lohengrin: Prelude (Act 1) – 9/60, BP, EMI (S); 10/74, BP, EMI (S).

503.  Wagner – Lohengrin: Prelude (Act 3) – 11/49, WP, EMI (S); 10/74, BP, EMI (S).

504.  Wagner – Lohengrin: Treulich geführt – 11/49, WSC, WP, EMI (S).

505.  Wagner – Parsifal – 4/61, Ludwig/Höngen, Uhl, Wächter, Hotter, WSC, WP, RCA (L); 7/80, Vejzovic, Hofmann, Nimsgern, Moll, Van Dam, DOP, BP, DG (S).

506.  Wagner – Parsifal: Prelude (Act 1) – 10/74, BP, EMI (S).

507.  Wagner – Parsifal: Prelude (Act 3) – 10/74, BP, EMI (S).

508.  Wagner – Siegfried – 8/51, Varnay, Lipp, Bjoerling, BFO, Melodram (L); 12/68 Dernesch, Thomas, Stewart, Stolze, Kelemen, Ridderbusch, Dominguez, BP, DG (S); 3/69, Dernesch, Thomas, Stewart, Kelemen, Ridderbusch, BP, Arkadia (L).

509.  Wagner – Siegfried Idyll – 3/77, BP, DG (S); 8/87, WP, DG (L).

510.  Wagner – Tannhäuser – 1/63, Brouwenstijn, Beirer, Ludwig, Wächter, WSC, WP, DG (L).

511.  Wagner – Tannhäuser: Overture – 2/57, BP, EMI (S); 1/75, BP, Unitel (L, V); 8/87, WP, DG (L).

512.  Wagner – Tannhäuser: Overture & Venusberg – 10/74, BP, EMI (S); 2/84, BP, DG (S).

513.  Wagner – Tannhäuser: Venusberg – 11/54, PO, EMI/Testament (S); 9/60, PO, EMI (S).

514.  Wagner – Tannhäuser: March and Entry of the Guests – 11/49, WSC, WP, EMI (S).

515.  Wagner – Tristan und Isolde – 7/52, Mödl, Vinay, Malaniuk, Hotter, BFO, Myto/Arkadia (L); 1/72, Dernesch, Vickers, Ludwig, Berry, DOC, BP, EMI (S).

516.  Wagner – Tristan und Isolde: Prelude & Liebestod – 2/57, BP, EMI; 10/74, BP, EMI (S); 2/84, BP, DG (S); 8/87, Norman, WP, DG (L).

517.  Waldteufel – Les Patineurs: Waltz – 7/53, PO, EMI (S); 9/60, PO, EMI (S).

518.  Weber – Abu Hassan: Overture – 1/71, BP, DG (S).

519.  Weber – Aufforderung zum Tanz – 1/58, PO, EMI (S); 11/71, BP, DG (S); 2/84, BP, DG (S).

520.  Weber – Der Beherrscher der Geister: Overture – 1/71, BP, DG (S).

521.  Weber – Der Freischutz: Overture – 9/43, CA, DG (S); 9/60, BP, EMI (S); 2/72, BP, DG (S); 1/75, BP, Unitel (L, V); 1/81, BP, EMI (S); 12/85, BP, Telemondial (L, V).

522.  Weber – Euryanthe: Overture – 2/72, BP, DG (S).

523.  Weber – Oberon: Overture – 2/72, BP, DG (S).

524.  Weber – Peter Schmoll: Overture – 1/71, BP, DG (S).

525.  Webern – Passacaglia, Op. 1 – 2/74, BP, DG (S).

526.  Webern – Symphony, Op. 21 – 2/74, BP, DG (S).

527.  Webern – 5 Movements, Op. 4 – 2/74, BP, DG (S).

528.  Webern – 6 Pieces, Op. 6 – 2/74, BP, DG (S).

529.  Weinberger – Schwanda der Bagpiper: Polka – 7/53, PO, EMI (S); 9/60, PO, EMI (S).

530.  Wolf-Ferrari – I Gioielli della Madonna: Intermezzo – 9/67, BP, DG (S).